“Jean-Luc Godard realizes, at the age of eighty-three, an ideal that he has pursued for forty years: sketchlike images, made casually and spontaneously, that are endowed with the power and the grandeur of studio-era cinematography…His 3-D technique is the first advance in deep-focus camerawork since the heyday of Orson Welles; it lends the settings a sumptuous intimacy as it restores the astonishment of sheer perception to the art of the cinema.” – Richard Brody

“Exhibits the formal and philosophical mischief that has been [Godard’s] late-career calling card. It is baffling and beautiful, a flurry of musical and literary snippets arrayed in counterpoint to a series of brilliantly colored and hauntingly evocative pictures…the everyday world is made vivid and strange, rendered in a series of sketches and compositions by an artist with an eccentric and unerring eye.” – A.O. Scott, The New York Times